Social Justice, part two

One of the issues that came up in our last conversation was the idea of “original enlightenment,” or the idea that from an enlightened point of view, everything’s equal. Today we take up some of the consequences of this view; do we use this idea as a way to minimize, dismiss, or disregard the experiences

Social justice, part one

Is the BCA silent on issues of social justice? For many, it might seem like there’s no Shin Buddhist public voice in the American ┬ádiscourse on Buddhism and social justice. We’ve been asked several times about this, so today is part one of a larger conversation about Shin Buddhism and social justice. We start by

Why do Shin Buddhist practice?

In prepping for our last episode on how to do Shin Buddhist practice, we started thinking about why people do practice and the question of motivations. The conversation starts with a reflection on a conference paper Scott heard early in the summer about Buddhism, the self-help industry, and BCA’s “Zen envy” (hat tip to James

How to do Shin Buddhist practice

We’re back! And we’re taking up a listener question about practicing Buddhism when you’re not near a Shin community, so we’re calling this one “how to do Shin practice?” This is an important question; what is our practice? How do we do the practice? Harry breaks it down into external and internal aspects where the

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Buddhism and music, part three

We round out our conversation about music by focusing on Shin Buddhism, starting with Shinran. It’s clear chanting was an important part of early Shin communities, and many of Shinran’s wasan (poems) have come down to us as songs still sung today. We take a brief detour to talk about Herbie Hancock before getting into

Buddhism and Music, part two

In part two of our discussion of Buddhism and music, we talk (mostly) about the potential genre of “Buddhist music.” Genre is a tricky; it raises all sorts of questions about who gets to define an artist or musician and whether or not it further divides people into camps of musical identity. But we definitely

Buddhism and Music, part one

We’ve got a long-standing interest in music; coincidentally, a listener asked us a question about music on Facebook, so we took the subject and ran with it! This is the first of three episodes dedicated to the subject of Buddhism and music. Today’s show is a general overview of the subject, both the question of

Renunciation and Family

“Won’t somebody please think of the children!” This week we take up the tension in Buddhism between the ideal of monasticism, the renunciant, the solo practitioner who goes off in search of awakening versus the reality of home life, laity, and family. Our conversation is inspired, in part, by a post last fall over on

Teachers, Authority, and Community

Let’s pick up where we left off; last time we discussed how contemporary Shin Buddhists can make the teachings and practices applicable to modern life, balancing tradition and change. This raises the important question of how one can determine whether or not a particular interpretation of the Buddha Dharma is in line with traditional or